Glamour and authority meet on the cover of *Blues & Soul* (Weekly Music Review), dated June 22, 1976, where Mary Wilson is framed in a tight, confident portrait. A jewel-studded headwrap crowns her look, while shimmering eye makeup and glossy lips catch the light with the polished precision of mid-1970s styling. Her hand, adorned with a statement ring, draws the eye upward and reinforces the magazine’s focus on star power as much as sound.
Bold typography anchors the design: the towering red *BLUES & SOUL* masthead dominates the top edge, and the left column teases features on Candi Staton, James & Bobby Purify, and Willie Mitchell. A diagonal banner announces a “Supremes Special,” placing Wilson within the continuing story of one of soul and pop’s most influential groups. Even the small-print details—issue number, pricing, and the brisk “Weekly Music Review” tag—underscore how music journalism packaged immediacy and celebrity for readers on both sides of the Atlantic.
For collectors and historians, this cover art is a compact time capsule of the era’s visual language: saturated color, high-contrast headline hierarchy, and a portrait that sells presence before a single note is heard. The title “Mary Wilson, June 22, 1976” makes it easy to situate the image within the broader timeline of 1970s soul culture and magazine publishing. Whether you’re searching for Mary Wilson memorabilia, *Blues & Soul* covers, or Supremes-related ephemera, this striking front page offers a vivid entry point into the period’s music press.