#3 The Festival was abandoned during the war, but kicked off again in September 1946. There were TWO official posters that year, the last of which is an original illustration by Leblanc.

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The Festival was abandoned during the war, but kicked off again in September 1946. There were TWO official posters that year, the last of which is an original illustration by Leblanc.

A ribbon of white fabric curls across a sea-blue field, carrying the words “CANNES 1946” like a celebratory banner returning to the wind. Above it, a dark frame encloses the bold lettering “FESTIVAL INTERNATIONAL DU FILM,” instantly signaling a revived international ambition after years of wartime silence. Decorative, plant-like flourishes snake around the composition, giving the poster an elegant, theatrical energy that feels at once playful and formal.

At the center, a tiny island stage hosts stylized figures—one in eveningwear, another in a flowing dress—posed as if mid-performance, with the water lapping at their feet. The palette leans on soft blues and creams punctuated by black type, creating a crisp contrast that reads clearly as cover art while still offering painterly charm. Along the bottom, the French text “20 Septembre au 5 Octobre” anchors the design with the practical promise of dates, a reminder that this was meant to be seen on walls and in windows, inviting audiences back to the cinema.

September 1946 marked a restart for the festival mentioned in the title, and this official poster carries that story in visual shorthand: renewed glamour, open horizons, and an outward-facing cultural scene. The post’s note about two official posters that year makes this piece even more compelling as a collectible artifact of a relaunch, especially as an original illustration credited to Leblanc. For readers searching Cannes 1946 poster history, early film festival ephemera, or French cinema graphic design, this cover art offers a vivid doorway into the moment when celebration resumed.