Bold red typography and a glossy, poster-like palette announce *Screenland from Hollywood* in a way that feels unmistakably 1920s—loud, modern, and built to catch the eye at a newsstand. The June 1923 issue is marked at “25 cents,” with the publisher credit “Myron Zobel” printed near the masthead, signaling the magazine’s confident place in the era’s booming fan-press marketplace.
Centered in a circular frame, a stylized portrait of Mae Murray leans into Art Deco glamour: porcelain skin tones, heavily rouged cheeks, and vivid red lips set against a cloud of blonde curls. The high, radiating collar—part costume, part graphic design—turns the face into the cover’s focal jewel, while the soft airbrushed shading gives the illustration a dreamy, cinematic glow that mirrors silent-era stardom.
Along the bottom, the bold caption “THE BEAUTY STRIPPERS” teases an interior feature, hinting at the tantalizing mix of fashion, performance, and celebrity culture that magazines like *Screenland* sold so well. For collectors of vintage magazine covers, Hollywood history, or early 20th-century graphic design, this June 1923 cover art offers a vivid snapshot of how film fandom was packaged—equal parts elegance, spectacle, and salesmanship.